"Colin Currie, who earlier laid down a mesmerizing introduction with Bryce Dessner's Tromp Miniature, led Reich with a steady hand. The smooth music seemed to encourage the patterns to multiply kaleidoscopically, and could sound intensely red or pale blue, à la Richter's brush. Beautiful."
Het Parool, April 2023
"Things get more intense when Currie takes a seat behind keyboards with three more pianists (Saskia Lankhoorn, Pauline Post and Tim Sabel) for Steve Reich's Four Organs (1970)… the musicians stop playing at exactly the same time and that one second of spectacular silence only commands great admiration for their concentration and stamina."
de Volkskrant, April 2023
"…the ASKO ensemble produced a warm, swirling symphonic sound, taking full advantage of the Muziekgebouw's acoustics."
Basia Con Fuoco, April 2023
"A stage-wide screen starts full of coloured lines, one thinner than the other, blending into each other. Slowly, the lines develop into brightly coloured patterns that flow across the screen (with breathtakingly deep colour contrast for a projection, it looks like stained glass)… Behind that screen are fourteen musicians from Asko|Schönberg, who can very occasionally be seen through the images."
NRC, April 2023